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Vol. 8 No. 1: July 2026

Issue Cover

Articles

  • Women at Play
    Feminist Reinscriptions of Chinese Game History, 1980s to Post-2010s
    Mayshu (Meixu) Zhan

Interviews

  • Actor, Writer, Technology Spirit
    An Interview with Leigh Alexander (Part 2)
    Laine Nooney
  • Yves Greppin et les réseaux helvétiques de la distribution européenne d’Atari (1981-1984)
    Une trajectoire par les intersections des industries du jazz, de l’informatique et du jeu vidéo
    Guillaume Guenat, Pierre-Yves Hurel

Materials

  • The Ghost in the Coax
    The Sega Channel and the Architecture of Access
    Skot Thayer

Translations

  • The Interwoven Threads of Experimental Games
    A Conversation between Zitao Ye and Yanqin Gao
    Gurn Group; Yanqin Gao, Zitao Ye
  • Yves Greppin and the Swiss-centered Networks of European Atari Distribution (1981-1984)
    A Trajectory through the Intersections of Jazz, Computing and Videogame Industries
    Guillaume Guenat, Pierre-Yves Hurel
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Ending sequence from Comer (Shine Studio, 1998), in which the earth’s trees leave the planet.  Image courtesy Phil Salvador.
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Patent images for the force feedback mechanism used in Atari’s Hard Drivin’ game. (Source: Milton Loper III, US Patent 5,203,563, April 20, 1993)
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Section of the three-dimensional map of Xeno. Image courtesy Jon Peterson.
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